New Music Conductor Fellowship
Vimbayi Kaziboni, Music Director & Conference Ensemble Conductor
CONFERENCE DATES
July 13 - August 3, 2025
APPLICATIONS NOW OPEN FOR 2025 CONDUCTING FELLOWSHIPS
GUIDELINES BELOW
Applications for our 2025 New Music Conductor Fellowship are now OPEN. The application deadline is April 1, 2025. Created with the Conference’s philosophy that the power of art is a means for gaining knowledge and practicing change, the New Music Conductor Fellowship centers sharing and learning in community. The 2025 New Music Conducting Fellow will be in residence at the Conference for WEEKS 2 & 3, July 20-August 3, 2025.
The New Music Conductor Fellow will work with Ensemble Conductor and Conference Music Director Vimbayi Kaziboni, AD Kurt Rohde, CMW Director Jessica Tong, the Conference Ensemble, Guest Composers and CPI Fellows. The fellowship will cover tuition, room and board, and travel expenses.
The goal is to bring an exciting young up & coming new music conductor to the Conference to work with our new conductor & the Conference Ensemble & CPI. The target applicant will give preference to a BIPOC/ALAANA, non-male identifying person.
An ideal candidate would be someone who:
is still in the early stage of their career and has received significant training,
has a strong commitment and interest in working with living composers,
is committed to working with new music performers in a respectful, professional, collaborative manner,
has a vision for their role in our new music community,
is sensitive to the need to promote and champion composers and performers from underrepresented communities who would benefit from opportunities afforded them that are typically out of reach, and
is excited about working with amateur musicians on a variety of repertoire.
Application Information - CLICK HERE:
Materials: Please submit high quality video with good audio of your conducting piece(s) from 1950 to the present, with a preference for music by living composers. Please upload your video selections to a YT or Vimeo account; make sure that these videos will be available up through July 31, 2025.
Selection #1: link to 10 min. or less of unedited rehearsal video; should be of a single work
Selection #2: link to 5 min. of an unedited performance video; may include up to 2 pieces, with the selection for each piece being unedited
Application Deadline: April 1, 2025; applicants notified by May 1, 2025.
NOTE: The initial screen will be done by Music Director Vimbayi Kaziboni. Up to 5 applicants will be selected as finalists and asked to have a short 15-minute ZOOM interview with MD Kaziboni, along with Conference Artistic Director Kurt Rohde. Please note that all participants for the 2025 Conference must be up to date with full vaccination for the COVID-19 virus not less than 1 month prior to the beginning of the 2025 Conference. For questions about the application, please email the Executive Director Kathryn Welter at welter@composersconference.org.
This fellowship is funded by Kurt Rohde.
2024 New Music Conductor Fellow CHRISTINA MORRIS
Christina Morris studied conducting under Maestro Micheal Tilson Thomas as a conducting apprentice of the 2018 National Youth Orchestra of the United States of America. In 2019 she conducted at the Miami Music Festival as a participant of their Conducting Institute lead by Mark Gibson. Christina has attended the Tanglewood Music Festival Conducting Seminar led by Stefan Asbury and Andris Nelsons and was invited to return the summer of 2022. Additionally, she has attended a conducting workshop with Neeme Järvi and the New World Symphony in the Spring of 2022 and returned to work with Micheal Tilson Thomas in the fall of 2022. Christina has worked with Lina González-Granados at a masterclass hosted by the Atlanta Symphony Orchestra. Christina also is a freelance artist, guest conducting for several nonprofit organization orchestras in NYC. She is also assistant conductor of a nonprofit orchestra called Protestra, founded by Michelle Rofrano. She has studied at Juilliard with Mark Shapiro and continues to study with him privately.
Christina’s overall goal as an artist is to ignite and expose the classical music community to the possibility of change. As an aspiring orchestral conductor with a unique background in the classical music industry, she is looking to promote the artistic value of underrepresented and underestimated identities. Her overall goal as an artist is to ignite and expose the classical music community to the possibility of change or what she considers, true diversity.